not to be missed: Sir Lord Baltimore - Selftitled & Kingdom Come (Hardrock US 1970-71)

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Sir Lord Baltimore are a pioneering American heavy metal band from Brooklyn, New York, formed in 1968 by lead vocalist/drummer John Garner, guitarist Louis Dambra, and bass player Gary Justin. They are notable for the fact that a 1971 review of their debut record, Kingdom Come, contained the first documented use of the term "heavy metal" to refer to a style of music. Additionally, Sir Lord Baltimore featured a drumming lead singer, traditionally a rarity in rock and metal music. The group have been called "the godfathers of stoner rock."

In 2006, Garner and Dambra reunited as Sir Lord Baltimore and released a new album, Sir Lord Baltimore III Raw. However, the band now has an overt positive moral focus not found in their earlier work. Justin, who is no longer an active musician, did not participate.

Sir Lord Baltimore's career is divided into two distinct periods: their original formation, during which time they put out two studio albums and started a third; and lead vocalist/drummer John Garner and guitarist Louis Dambra's reunion in 2006.

Having first met in high school, Garner (the band creator), Dambra, and Justin started rehearsing together in 1968. At the time of their formation, Dambra (as Louis Caine) was also playing for a group called The Koala, who released an eponymous LP in 1969. Additionally, Justin has cited Cream's Jack Bruce as an influence on his early career choice.

After a relatively short time, the new band auditioned for Mike Appel, who was then working as a talent scout and would later launch and manage the career of Bruce Springsteen. Appel agreed to mentor them, reportedly gave them the name Sir Lord Baltimore, and would later co-write the lyrics also co-arranged and co-produce their debut album.

That album, Kingdom Come, was recorded at Vantone Studios and engineered by Nick Masse from the lengendary "Four Seasons" West Orange, New Jersey, with Jim Cretecos serving as Appel's co-producer. Additional tracks, mixing, & overdubbing were done at New York, New York's Jimi Hendrix Electric Lady Studios with legendary engineer Eddie Kramer, better known for his work with Jimi Hendrix, KISS, and many others. According to Appel, British psychedelic rock band Pink Floyd had the opportunity to hear Sir Lord Baltimore during these sessions, and were reportedly impressed.

Released on Mercury Records in 1970, Kingdom Come featured very fast-paced rock 'n' roll with high levels of distortion in the guitar and, in some cases, the bass, and extensive multi-tracking to further enhance the guitar sound.[10] Though this style of rock 'n' roll would become popular in later years, it was considerably different from the majority of that era's contemporary rock music.

On February 19–20, 1971, Sir Lord Baltimore played consecutive nights at New York's Fillmore East as the opening act on a bill that included The J. Geils Band and Black Sabbath, as part of the latter's Paranoid tour. (Sir Lord Baltimore played additional dates on this tour, as well.)[12] A photo of the band used in the Fillmore East's programs was later used as the cover of their 2006 reunion album, Sir Lord Baltimore III Raw.

In May 1971, Mike Saunders (of later Angry Samoans fame) wrote a favorable review of Kingdom Come for Creem magazine. Of historical note was Saunders' assertion that "...Sir Lord Baltimore seems to have down pat most all the best heavy metal tricks in the book." To date, this appears to have been the first printed use of the term "heavy metal" to reference a musical genre.

Issued the same year, and again on Mercury, Sir Lord Baltimore marked a change in direction, with Kingdom Come's frenetic pace giving way to slower-tempoed songs more reminiscent of music produced by the band's hard rock peers. Sir Lord Baltimore expanded to a four-piece for this album, with Louis Dambra's brother, Joey Dambra, joining as a second guitarist. Sir Lord Baltimore contains the supposed live recording, "Where Are We Going" which was actually recorded at Mercury Studios. The audience was dubbed in since the producer thought it was a good idea to include a "live" track.

Their career started to fade after Sir Lord Baltimore's release, and Mercury dropped them shortly thereafter. The band publicly blamed drugs on its initial downfall, with low record sales and non-payment of royalties also being cited. However, the band did start work in the mid-1970s for an unreleased third album originally scheduled for 1976, and music written for that project was eventually used on Sir Lord Baltimore III Raw.

In 1994, Kingdom Come and Sir Lord Baltimore were reissued on a single compact disc, Kingdom Come/Sir Lord Baltimore, from PolyGram, However, the track listing on the combined CD differs from the original recordings. Kingdom Come was issued again separately as downloads in 2007, this time on Anthology Recordings,

Some 30 years after the band's break-up, Garner and Dambra reunited to record and self-distribute a new Sir Lord Baltimore album, Sir Lord Baltimore III Raw, on JG Records in July 2006. Garner produced the album. The majority of the album's bass guitar lines were performed by Tony Franklin, with guitarist Anthony Guido and bass player Sam Powell being credited as guest musicians. Though the album's music was originally written for the aborted 1976 release, the lyrics were modified to present a subtle Christian viewpoint.

As of February 2007, Sir Lord Baltimore III Raw is lacking a distributor and has not been released for sale. In addition to his modern day work with Sir Lord Baltimore, Dambra is an active pastor who ministers to homeless families in Los Angeles, California. To date, he and Garner have not announced any future projects.

Since 2007, John Garner & Swedish guitar player Janne Stark of Overdrive and Locomotive Breath Band recorded a modern version of "Woman Tamer" from SLB's 2nd Album since neither Louis or Joey are active members at this point. In March 2008, it was announced that John Garner & Janne Stark with a selected bass player will make an appearance at Rock Festival in Sweden in June 2008, But mitigating circumstances, plus lack of pay prevented it.

When the subject of heavy metal pioneers comes up (and one gets past the obvious bands like Black Sabbath, Led Zeppelin, and Deep Purple), several lesser-known but still remembered bands are invariably mentioned, and one of them is Sir Lord Baltimore, 

who hailed not from Baltimore but from New York. The formed in the late 60's and managed two albums before giving it up (confusingly, the self-titled album is their second, not first). Given that these were released in 1970-1971, one shouldn't expect modern crushing guitars, but this was pretty heavy stuff for the time (particularly the debut), a wild, psychedelic hard rock sound that occasionally brings to mind early Budgie as well as the aforementioned Zep. 

They may have been the first hard rock band whose drummer was their lead singer, still a rarity in heavy metal. When modern stoner bands are referenced as "70s-influenced", this is the kind of band they're referring to.

***** Kingdom Come is the first studio album by American heavy metal band Sir Lord Baltimore, released on Mercury Records in 1970. It was reissued on PolyGram in 1994, on Red Fox in 2003, and on Anthology Recordings in 2007. The 1994 and 2003 re-releases also contained 1971's Sir Lord Baltimore, and were titled Kingdom Come/Sir Lord Baltimore.

This album is notable for the fact that its 1971 review in Creem contained the first documented use of the term "heavy metal" to refer to a style of music.[1] It features very fast-paced, rhythm & blues-based rock 'n' roll with high levels of distortion in the guitar and, in some cases, the bass. Though this style of rock 'n' roll would become extremely popular in later years, it was considerably different from the majority of that era's contemporary rock music. Kingdom Come also makes extensive use of multi-tracking to enhance the guitar sound.

All of the songs on Kingdom Come were co-written and arranged by Mike Appel, who would later become Bruce Springsteen's manager. Co-produced by Appel and Jim Cretecos, the album was recorded at Vantone Studios in West Orange, New Jersey, before being mixed by Eddie Kramer and Kim King at Electric Lady Studios in New York, New York. Kramer is well-known for his work with such artists and bands as Jimi Hendrix, The Beatles, The Rolling Stones, KISS, Led Zeppelin, David Bowie, Curtis Mayfield, and many others.

***** Sir Lord Baltimore is the second studio album by American heavy metal band Sir Lord Baltimore, released on Mercury Records in 1971. It was re-issued on PolyGram in 1994, and on Red Fox in 2003. The 1994 and 2003 re-releases also contained 1970's Kingdom Come, and were titled Kingdom Come/Sir Lord Baltimore.

This album marked a change in direction, with the frenetic pace of the earlier Kingdom Come's giving way to a slower-tempo. Sir Lord Baltimore expanded to a four-piece for this album, with Louis Dambra's brother, Joey Dambra, joining as a second guitarist. Sir Lord Baltimore contains the band's only officially released live recording, "Where Are We Going."[Wikipedia]

01. Kingdom Come (Kingdom Come)  
02. I Got a Woman (Kingdom Come)    
03. Hell Hound (Kingdom Come)  
04. Helium Head (I Got a Love) (Kingdom Come)   
05. Ain't Got Hung on You (Kingdom Come)    
06. Master Heartache (Kingdom Come)       
07. Hard Rain Fallin' (Kingdom Come)       
08. Lady of Fire (Kingdom Come)       
09. Lake Isle of Innersfree (Kingdom Come)     
10. Pumped Up (Kingdom Come) 
      
11. Chicago Lives (Selftitled)       
12. Loe and Behold (Selftitled)       
13. Woman Tamer (Selftitled)       
14. Caesar Lxxi (Selftitled)       
15. Man from Manhattan (Selftitled)      
16. Where Are We Going? (Selftitled) 

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