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Source: Japan 24-Bit Remaster
Recorded in concert at Tokyo's Yubin Chokin Hall on November 27 and 28, 1974, Blues Live In Japan teams Robert Lockwood, Jr. with The Aces (Louis Myers on guitar and harmonica, brother Dave on bass and Fred Below on drums), who backed him so splendidly on Delmark's Steady Rollin' Man album. Kicking off with "Sweet Home Chicago," the interplay between Lockwood and Myers is both empathetic and respectful. A jazzy "Going Down Slow" and a Robert Johnson-style "Worried Life Blues" are next, setting the stage for Louis Myers' slide work on "Anna Lee" and Mercy Dee Walton's "One Room Country Shack."
Lockwood returns center-stage on a great version of "Stormy Monday" and his own "Feel All Right Again" before mixing it up with The Aces on "Honky Tonk." The album closes with great versions of "Mean Black Spider" and the encore, "Little and Low," on which Louis Myers blows harp with great passion. The response from the Japanese crowd is so overwhelming that you actually feel the musicians being swept away by it all (the usually taciturn Lockwood even acknowledges this before the encore in his usual phlegmatic way), a sure sign of emotions running rampant and one great live session as a result of it.
Biography:
Robert Lockwood, Jr., also known as Robert Junior Lockwood, (March 27, 1915 – November 21, 2006) was an American blues guitarist who recorded for Chess Records among other Chicago labels in the 1950s and 1960s. He is best known as a longtime collaborator with Sonny Boy Williamson II, and for his work in the mid 1950s with Little Walter Jacobs.
Robert Lockwood was born in Turkey Scratch, a hamlet west of Helena, Arkansas. He started playing the organ in his father's church at the age of 8. The famous bluesman Robert Johnson lived with Lockwood's mother for 10 years off and on after his parents' divorce. Lockwood learned from Johnson not only how to play guitar, but timing and stage presence as well. Because of his personal and professional association with the music of Robert Johnson, he became known as "Robert Junior" Lockwood, a nickname by which he was known among fellow musicians for the rest of his life, although he later frequently professed his dislike for this appellation.
Early career
By age 15, Lockwood was playing professionally at parties in the Helena area. He often played with his quasi-stepfather figure, Robert Johnson, also occasionally with Sonny Boy Williamson or Johnny Shines. Lockwood played at fish fries, juke joints, and street corners throughout the Mississippi Delta in the 1930s. An anecdote from Lockwood's website claims on one occasion Robert Johnson played on one side of the Sunflower River, while Lockwood played on the other, with the people of Clarksdale, Mississippi milling about the bridge, supposedly unable to tell which guitarist was the real Robert Johnson.
Lockwood played with Sonny Boy Williamson in the Clarksdale, Mississippi area in 1938 and 1939. He also played with Howlin' Wolf and others in Memphis, Tennessee around 1938. From 1939 to 1940 he split his time playing in St. Louis, Missouri, Chicago, Illinois and Helena.
In 1941, Lockwood made his first recordings with Doctor Clayton for the Bluebird label in Aurora, Illinois. During these same sessions, he also recorded the four songs which were released as the first two singles under his own name, which were early versions of his staple repertoire. These recordings were released as 78s on Bluebird Records.
Also in 1941, Lockwood and Williamson were featured on the first King Biscuit Time radio program on KFFA in Helena. For several years in the early 1940s the pair played together in and around Helena and continued to be associated with King Biscuit Time. From about 1944 to 1949 Lockwood played in West Memphis, Arkansas, St. Louis, Chicago and Memphis.[2] Lockwood was an early influence of B. B. King and played with King's band during his early career in Memphis.
In 1950, Lockwood settled in Chicago. In 1954 he replaced Louis Myers as guitarist in Little Walter's band, and played on Walter's #1 hit "My Babe" in 1955. He left Little Walter's band shortly thereafter, and in the late '50s recorded several sessions with Sonny Boy Williamson for Chess Records, sessions which also included Willie Dixon and Otis Spann. Lockwood also performed and/or recorded with Sunnyland Slim, Eddie Boyd, and Muddy Waters among others.
In 1961, Lockwood moved with his wife to her hometown of Cleveland, Ohio where he resided until his death. In the early 1960s, as "Bob Lockwood, Jr., and Combo," he had a regular gig at Loving's Grill, located at 8426 Hough Avenue. In the 1970s through the 1990s, he performed regularly with his band the "All Stars" at numerous local venues, including Pirate's Cove, The Euclid Tavern, and Peabody's. For the last few years of his career, Lockwood played at Cleveland's Fat Fish Blue (corner of Prospect and Ontario in downtown) every Wednesday night at 8 p.m.; the "All Stars" have continued to perform there after his death.
His Cleveland period also saw the release of some of his most noteworthy studio recordings as a band leader, first with a pair of albums playing solo and with his band of the time on the Trix Records label, and then with Johnny Shines for two LPs on the Rounder label. The latter showed both men determinedly playing the music they were interested in, rather than the familiar requests of the blues audience - an attitude Lockwood maintained. Although he seldom performed without his band, he also recorded a solo album of his own material, along with a few Robert Johnson standards, under the title Plays Robert and Robert. Lockwood has dealt briskly, sometimes brusquely, with the Johnson legend. It's typical that when he gave one of his infrequent album recitals of Johnson songs, for Plays Robert and Robert (1983), he puckishly chose to use a 12-string guitar.
In 2004, Lockwood appeared at Eric Clapton's first Crossroads Guitar Festival in Dallas, Texas. A live recording with three other blues musicians in Dallas in October 2004 – Last of the Great Mississippi Delta Bluesmen: Live In Dallas – was awarded a Grammy for Best Traditional Blues Album. or the late Henry Townsend and Robert Lockwood Jr. It was the first Grammy win for the musicians. His last known recording session was carried out at Ante Up Audio studios in Cleveland; where he performed on the album The Way Things Go, with long time collaborator Cleveland Fats for Honeybee Entertainment.
Lockwood died at the age of 91 in Cleveland, having earlier suffered a cerebral aneurysm and a stroke. He is buried at Riverside Cemetery in Cleveland.
DISC 1:
01. Sweet Home Chicago
02. Going Down Slow
03. Worried Life Blues
04. Anna Lee
05. One Room Country Shack
06. Stormy Monday
07. Feel All Right Again
08. Honky Tonk (Instrumental)
09. Mean Black Spider
10. Little And Low
11. You Upset Me Baby
12. Sweet Little Angel
13. Just Like A Woman
14. Juke
DISC 2:
01. Everyday I Have The Blues
02. Early In The Morning
03. Guitar Inst.
04. Route 66
05. Strange Things Happening
06. Money Marbles And Chalk
07. Hide Away
08. Reconsider Baby
09. Harp Inst.
10. New Orleans
11. Hoochie Koochie Man
12. Steal Away
13. Got My Mojo Working
DISC 3: BONUS TRACKS:
01. Work Song
02. Caldonia
03. What'd I Say
SLEEPY JOHN ESTES & HAMMIE NIXON:
04. Corina Corina
05. When The Saints Go Marchin'in
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