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The only thing about Fleetwood Mac that hasn't changed since the band formed in 1967 is the rhythm section of Mick Fleetwood and John "Mac" McVie — fitting, since the band is named after those two. Through the Seventies, the band's personnel and style shifted with nearly every recording as Fleetwood Mac metamorphosed from a traditionalist British blues band to the maker of one of the best-selling pop albums ever, Rumours, then kept on for decades after that — to varying degrees of success.
Peter Green's Fleetwood Mac was formed by ex–John Mayall's Bluesbreakers Green, McVie, and Fleetwood along with Elmore James enthusiast Jeremy Spencer. McVie had been a charter member of the Bluesbreakers in 1963, Fleetwood had joined in 1965, and Green had replaced Eric Clapton in 1966. With its repertoire of blues classics and Green's blues-style originals, the group's debut at the British Jazz and Blues Festival in August 1967 netted it a record contract. Fleetwood Mac was popular in Britain immediately, and its debut album stayed near the top of the British chart for 13 months. The quartet had hits in the U.K. through 1970, including "Black Magic Woman" and the instrumental "Albatross" (which was Number One in 1968 and reached Number Four when rereleased in 1973). America, however, largely ignored Fleetwood Mac: its first U.S. tour had the group third-billed behind Jethro Tull and Joe Cocker, neither of whom was as popular in Britain.
US Promo Single 1971 |
The original Fleetwood Mac was formed in July 1967 by Peter Green (b. Peter Allen Greenbaum, 29 October 1946, Bethnal Green, London, England; guitar) and Mick Fleetwood (b. 24 June 1947, Redruth, Cornwall, England; drums), both of whom had recently left John Mayall's Bluesbreakers. They secured a recording contract with Blue Horizon Records on the strength of Green's reputation as a blues guitarist before the label's overtures uncovered a second guitarist, Jeremy Spencer (b. 4 July 1948, Hartlepool, Cleveland, England), in a semi-professional group, the Levi Set. A temporary bass player, Bob Brunning, was recruited into the line-up, until a further Mayall acolyte, John McVie (b. 26 November 1945, London, England; bass), was finally persuaded to join the new unit. Peter Green's Fleetwood Mac, as the group was initially billed, made its debut on 12 August 1967 at Windsor's National Jazz And Blues Festival. Their first album, Fleetwood Mac, released on Blue Horizon in February the following year, reached the UK Top 5 and established a distinctive balance between Green's introspective compositions and Spencer's debt to Elmore James.
Norway Single 1970 |
The quintet had an immediate hit when "Albatross", a moody instrumental reminiscent of "Sleep Walk" by Santo And Johnny, topped the UK charts. The single, which reached number 2 when it was reissued in 1973, was the group's first million-seller. Fleetwood Mac then left Blue Horizon, although the company subsequently issued Blues Jam At Chess, on which the band jammed with several mentors, including Buddy Guy, Otis Spann and Walter Horton. Following a brief interlude on Immediate Records, which furnished the hypnotic "Man Of The World", the quintet made their debut on Reprise Records with "Oh Well", their most ambitious single to date, and the superb Then Play On. This crafted album unveiled Kirwan's songwriting talents and his romantic leanings offset the more worldly Green.
UK Promo Single 1969 |
The new line-up was consolidated on two melodic albums, Future Games and Bare Trees. Neither release made much impression with UK audiences who continued to mourn the passing of the Green-led era, but in America the group began to assemble a strong following for their new-found transatlantic sound. However, further changes occurred when Kirwan's chronic stage fright led to his dismissal. Bob Weston, a guitarist from Long John Baldry's backing band, was his immediate replacement, while the line-up was also bolstered by former Savoy Brown vocalist, Dave Walker. The band, however, was unhappy with a defined frontman and the singer left after only eight months, having barely completed work on Penguin.
Although not one of the band's strongest collections, it does contain an excellent Welch composition, "Night Watch". The remaining quintet completed another album, Mystery To Me, which was released at the time of a personal nadir within the band. Weston, who had been having an affair with Fleetwood's wife, was fired midway through a prolonged US tour and the remaining dates were cancelled. Their manager, Clifford Davis, assembled a bogus Mac to fulfil contractual obligations, thus denying the "real" group work during the inevitable lawsuits. Yet despite the inordinate pressure, Perfect, Welch, McVie and Fleetwood returned with Heroes Are Hard To Find, a positive release that belied the wrangles surrounding its appearance. Nonetheless, the controversy proved too strong for Welch, who left the band in December 1974. His departure robbed Fleetwood Mac of an inventive songwriter whose American perspective had helped redefine their approach. [Source Unknown]
FLEETWOOD MAC
Dead Bust Blues 1970
A Warehouse, New Orleans, LA, USA
Disc 1 - January 30, 1970:
01. Introduction
02. Before The Beginning
03. It Takes Time
04. Like It This Way
05. Only You
06. Madison Blues
07. Can't Stop Loving You
08. Albatross
09. The Green Manalishi
10. World In Harmony
11. Stranger Blues
Disc 2 - January 31, 1970:
01. Sandy Mary
02. Better Off Dead
03. Only You
04. World In Harmony
05. Stranger Blues
06. I Can't Hold Out
07. Oh Well
08. Rattlesnake Shake
09. Underway
10. Coming Your Way
11. Twist And Shout
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