Fleetwood Mac - Concertgebouw Amsterdam 1969-04-20 (Bootleg)

Norway Single 1968

Size: 87.6 MB
Bitrate: 320
mp3
Found in OuterSpace
Some singles artwork

I saw in the comment section that alot of you like early Fleetwood Mac so here is one more...

These represent excerpts of the show performed at the Concertgebouw in Amsterdam, broadcast on Dutch radio at an unknown date and captured during FM's short tour over there in 1969. It seems only the beginning and end of the show have been captured. From a tape source, unknown capture and transfer. Very good sound, full spectral but with some analogue (radio) interference. Strange atmosphere, Greeny is in a bizarre frame of mind but in very very fine form. Don't miss this.

Fleetwood Mac are a British-American rock band formed in 1967 in London. Due to numerous line-up changes, the only original member present in the band is its eponymous drummer, Mick Fleetwood. Although band founder Peter Green named the group by combining the surnames of two of his former bandmates (Fleetwood, McVie) from John Mayall's Bluesbreakers, bassist John McVie played neither on their first single nor at their first concerts, as he had to straighten things out with Mayall before joining the band permanently. The keyboardist, Christine McVie, who joined the band in 1970 while married to John McVie, appeared on all but two albums, either as a member or as a session musician. 

UK Single 1967

Fleetwood Mac was formed in 1967 in London when Peter Green left the British blues band John Mayall & the Bluesbreakers. Green had replaced guitarist Eric Clapton in the Bluesbreakers, and received critical acclaim for his work on their album A Hard Road. After he had been in the Bluesbreakers for some time, Green asked if drummer Mick Fleetwood could replace Aynsley Dunbar. Green had been in two bands with Fleetwood—"Peter B's Looners" and the subsequent "Shotgun Express" (which featured a young Rod Stewart as vocalist). John Mayall agreed and Fleetwood became a member of the band.

The Bluesbreakers now consisted of Green, Fleetwood, John McVie and Mayall. Mayall gave Green free recording time as a gift, in which Fleetwood, McVie and Green recorded five songs. The fifth song was an instrumental which Green named after the rhythm section, "Fleetwood Mac".

Green contacted Fleetwood to form a new band. The pair wanted McVie on bass guitar and even named the band 'Fleetwood Mac' as a way to entice him. However McVie opted to keep his steady income with Mayall rather than take a risk with a new band. In the meantime Peter Green and Mick Fleetwood teamed up with talented slide player Jeremy Spencer and bassist Bob Brunning, who was in the band on the understanding that he would leave if and when McVie agreed to join. The Green, Fleetwood, Spencer, Brunning version of the band made its debut on 13 August 1967 at the Windsor Jazz and Blues Festival. Within weeks of this show, John McVie agreed to become the bassist for the band.

Fleetwood Mac's first album, Fleetwood Mac, was a no-frills blues album and was released on the Blue Horizon label in February 1968. In fact there were no other players on the album (except for the song "Long Grey Mare", which was recorded when Bob Brunning was in the band). The album was successful in the UK, hitting no.4, though it did not have any singles on it. The band soon released two singles "Black Magic Woman" (later a big hit for Santana) and "Need Your Love So Bad".

The band's second album, Mr. Wonderful, was released in August 1968. Like the first it was an all-blues album, but this time they made a few changes. The album was recorded live in the studio with miked amplifiers and PA system, rather than plugged into the board. This method provided the ideal environment for producing this style of music, and gave it an authentically vintage sound. They also added horns and featured a friend of the band on keyboards, Christine Perfect of Chicken Shack.

Germany Single 1970

Shortly after the release of their second album Fleetwood Mac added guitarist Danny Kirwan, then just eighteen years old, to their line-up. Green had been frustrated that Jeremy Spencer had little desire to contribute to Green's songs. A mature and accomplished self-taught guitarist, Kirwan's signature vibrato and unique style added a new dimension to an already complete band. With Kirwan the band released their first number one single in Europe, "Albatross". Around this time they released their second American album, English Rose, which contained half of Mr. Wonderful, new songs from Kirwan, and their third European album called The Pious Bird of Good Omen, which was a collection of singles, B-sides, and a selection of some work the band did with Eddie Boyd.

When the band went to the United States in January 1969 they recorded many songs at the soon-to-close Chess Records Studio, with some blues legends of Chicago including Willie Dixon, Buddy Guy and Otis Spann. These would prove, however, to be Fleetwood Mac's last all-blues recordings. Along with their change of style the band was also going through some label changes. Up until this point they had been on Blue Horizon. With Kirwan in the band, however, the musical possibilities were too great for them to stay on a blues-only label. The band signed with the Immediate Records label and released "Man of the World", another British and European hit single. For the B-side Spencer fronted Fleetwood Mac as "Earl Vince and the Valiants" and recorded "Somebody's Gonna Get Their Head Kicked In Tonite", typifying the more raucous rock 'n' roll side of the band. 

Immediate Records was in bad shape and the band shopped around for a new deal. Even though The Beatles wanted the band on Apple Records (Mick Fleetwood and George Harrison were brothers-in-law), the band's manager Clifford Davis decided to go with Warner Bros. Records (through Reprise Records, a Frank Sinatra-founded label), the label they have stayed with ever since. Their first album for Reprise, released in September 1969, was the well-regarded Then Play On. Although the initial pressing of the American release of this album was the same at the British version, it was altered to contain the song "Oh Well", featured consistently in live performances from the time of its release through 1997 and then again starting in 2009. Then Play On, which was the band's first rock album, featured only the songs of Kirwan and Green. Jeremy Spencer, meanwhile, recorded a solo album (he was backed by the rest of the band) which consisted of many 1950s-style rock and roll songs.

In July 1969, Fleetwood Mac opened for Ten Years After at the Schaefer Music Festival at New York City's Wollman Rink. They re-appeared at the festival in 1970.

Fleetwood Mac were an extremely popular band in Europe at the time. However, Peter Green, the frontman of the band, was not in good health. He had taken LSD in Munich, which may have contributed to the onset of his schizophrenia.

UK Promo Single 1969

German author and filmmaker Rainer Langhans mentions in his autobiography that he and Uschi Obermaier met Peter Green in Munich, where they invited him to their "High-Fish-Commune". They were not really interested in Peter Green. They just wanted to get in contact with Mick Taylor: Langhans and Obermaier wished to organise a "Bavarian Woodstock". They wanted Jimi Hendrix and The Rolling Stones to be the leading acts of their Bavarian open air festival. They needed the 'Green God' just to get in contact with The Rolling Stones via Mick Taylor.

Green's last hit with Fleetwood Mac was "The Green Manalishi (With the Two-Prong Crown)" (first recorded at the Boston Tea Party in February 1970 and later recorded by Judas Priest). This recording was released as Green's mental stability deteriorated, and he wanted to give all of the band's money to charity. Other members of the band did not agree, and subsequently Green decided to leave the band. His last show with Fleetwood Mac was on 20 May 1970. During that show, the band went past their allotted time and the power was shut off, although Mick Fleetwood kept drumming. Some of the Boston Tea Party recordings (February 5/6/7 1970) were eventually released in the 1980s as the Live in Boston album, with a more complete remastered 3-volume compilation released by Snapper Music in the late 90s.

Fleetwood Mac Concertgebouw
Amsterdam, The Netherlands
20 April 1969 Recorded and Broadcast by Dutch Radio 

* Peter Green - guitar, vocal
* Danny Kirwan - guitar, vocal
* Jeremy Spencer - slide guitar, vocal
* John McVie - bass guitar
* Mick Fleetwood - drums

01. Merry Go Round 06:37
02. One Sided Love 03:49
03. Dust My Broom 03:38
04. Got To Move 03:43
05. Greeny Alone (instrumental) 02:47
06. Sugar Mama 05:04
07. I Can't Hold Out 09:29
08. Tallahassee Lassie 02:19

1. Link

or

2. Link

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Fleetwood Mac - Dead Bust Blues USA 1970-01-30 (Bootleg)

Size: 314 MB
Bitrate: 320
mp3
Found in OuterSpace
Singles Artwork
SoundQuality: A

The only thing about Fleetwood Mac that hasn't changed since the band formed in 1967 is the rhythm section of Mick Fleetwood and John "Mac" McVie — fitting, since the band is named after those two. Through the Seventies, the band's personnel and style shifted with nearly every recording as Fleetwood Mac metamorphosed from a traditionalist British blues band to the maker of one of the best-selling pop albums ever, Rumours, then kept on for decades after that — to varying degrees of success.

Peter Green's Fleetwood Mac was formed by ex–John Mayall's Bluesbreakers Green, McVie, and Fleetwood along with Elmore James enthusiast Jeremy Spencer. McVie had been a charter member of the Bluesbreakers in 1963, Fleetwood had joined in 1965, and Green had replaced Eric Clapton in 1966. With its repertoire of blues classics and Green's blues-style originals, the group's debut at the British Jazz and Blues Festival in August 1967 netted it a record contract. Fleetwood Mac was popular in Britain immediately, and its debut album stayed near the top of the British chart for 13 months. The quartet had hits in the U.K. through 1970, including "Black Magic Woman" and the instrumental "Albatross" (which was Number One in 1968 and reached Number Four when rereleased in 1973). America, however, largely ignored Fleetwood Mac: its first U.S. tour had the group third-billed behind Jethro Tull and Joe Cocker, neither of whom was as popular in Britain.

US Promo Single 1971

Green and Spencer recorded Fleetwood Mac in Chicago with Willie Dixon, Otis Spann, and other blues patriarchs in 1969 (the LP wasn't released until 1971), yet the group was already moving away from the all-blues format. In May 1970 Green abruptly left the group to follow his ascetic religious beliefs. He stayed out of the music business until the mid-Seventies, when he made two solo LPs. His departure put an end to Fleetwood Mac's blues leanings. Danny Kirwan and Christine Perfect moved the band toward leaner, more melodic rock. Perfect, who had sung with Spencer Davis in folk and jazz outfits before joining British blues-rockers Chicken Shack in 1968, had performed uncredited on parts of Then Play On, but contractual obligations to Chicken Shack kept her from joining Fleetwood Mac officially until 1971. By then she had married McVie.

The original Fleetwood Mac was formed in July 1967 by Peter Green (b. Peter Allen Greenbaum, 29 October 1946, Bethnal Green, London, England; guitar) and Mick Fleetwood (b. 24 June 1947, Redruth, Cornwall, England; drums), both of whom had recently left John Mayall's Bluesbreakers. They secured a recording contract with Blue Horizon Records on the strength of Green's reputation as a blues guitarist before the label's overtures uncovered a second guitarist, Jeremy Spencer (b. 4 July 1948, Hartlepool, Cleveland, England), in a semi-professional group, the Levi Set. A temporary bass player, Bob Brunning, was recruited into the line-up, until a further Mayall acolyte, John McVie (b. 26 November 1945, London, England; bass), was finally persuaded to join the new unit. Peter Green's Fleetwood Mac, as the group was initially billed, made its debut on 12 August 1967 at Windsor's National Jazz And Blues Festival. Their first album, Fleetwood Mac, released on Blue Horizon in February the following year, reached the UK Top 5 and established a distinctive balance between Green's introspective compositions and Spencer's debt to Elmore James. 

Norway Single 1970

A handful of excellent cover versions completed an album that was seminal in the development of the British blues boom of the late 60s. The group also enjoyed two minor hit singles with "Black Magic Woman", a hypnotic Green composition later popularized by Santana, and a delicate reading of "Need Your Love So Bad", first recorded by Little Willie John. Fleetwood Mac's second album, Mr. Wonderful, was another triumph, but while Spencer was content to repeat his established style, Green, the group's leader, extended his compositional boundaries with several haunting contributions, including the heartfelt "Love That Burns". His guitar playing, clean and sparse but always telling, was rarely better, while McVie and Fleetwood were already an instinctive rhythm section. Mr. Wonderful also featured contributions from Christine Perfect (b. 12 July 1943, Grenodd, Lancashire, England), pianist from Chicken Shack, and a four-piece horn section, as the group began to leave traditional blues behind. A third guitarist, Danny Kirwan (b. 13 May 1950, London, England), was added to the line-up in September 1968.

The quintet had an immediate hit when "Albatross", a moody instrumental reminiscent of "Sleep Walk" by Santo And Johnny, topped the UK charts. The single, which reached number 2 when it was reissued in 1973, was the group's first million-seller. Fleetwood Mac then left Blue Horizon, although the company subsequently issued Blues Jam At Chess, on which the band jammed with several mentors, including Buddy Guy, Otis Spann and Walter Horton. Following a brief interlude on Immediate Records, which furnished the hypnotic "Man Of The World", the quintet made their debut on Reprise Records with "Oh Well", their most ambitious single to date, and the superb Then Play On. This crafted album unveiled Kirwan's songwriting talents and his romantic leanings offset the more worldly Green. 

UK Promo Single 1969

Although pictured, Jeremy Spencer was notably absent from most of the sessions, although his eccentric vision was showcased on a self-titled solo album. Fleetwood Mac now enjoyed an international reputation, but it was a mantle too great for its leader to bear. Peter Green left the band in May 1970 as his parting single, the awesome "The Green Manalishi (With The Two-Prong Crown)", became another Top 10 hit. He was replaced by Christine Perfect, now married to John McVie, and while his loss was an obvious blow, Kirwan's songwriting talent and Spencer's sheer exuberance maintained a measure of continuity on a fourth album, Kiln House. However, in 1971 the group was rocked for a second time when Spencer disappeared midway through an American tour. It transpired that he had joined a religious sect, the Children Of God and while Green deputized for the remainder of the tour, a permanent replacement was found in a Californian musician, Bob Welch (b. Robert Welch, 31 July 1946, Los Angeles, California, USA).

The new line-up was consolidated on two melodic albums, Future Games and Bare Trees. Neither release made much impression with UK audiences who continued to mourn the passing of the Green-led era, but in America the group began to assemble a strong following for their new-found transatlantic sound. However, further changes occurred when Kirwan's chronic stage fright led to his dismissal. Bob Weston, a guitarist from Long John Baldry's backing band, was his immediate replacement, while the line-up was also bolstered by former Savoy Brown vocalist, Dave Walker. The band, however, was unhappy with a defined frontman and the singer left after only eight months, having barely completed work on Penguin. 

Although not one of the band's strongest collections, it does contain an excellent Welch composition, "Night Watch". The remaining quintet completed another album, Mystery To Me, which was released at the time of a personal nadir within the band. Weston, who had been having an affair with Fleetwood's wife, was fired midway through a prolonged US tour and the remaining dates were cancelled. Their manager, Clifford Davis, assembled a bogus Mac to fulfil contractual obligations, thus denying the "real" group work during the inevitable lawsuits. Yet despite the inordinate pressure, Perfect, Welch, McVie and Fleetwood returned with Heroes Are Hard To Find, a positive release that belied the wrangles surrounding its appearance. Nonetheless, the controversy proved too strong for Welch, who left the band in December 1974. His departure robbed Fleetwood Mac of an inventive songwriter whose American perspective had helped redefine their approach. [Source Unknown]

FLEETWOOD MAC
Dead Bust Blues 1970
A Warehouse, New Orleans, LA, USA 

Disc 1 - January 30, 1970:
01. Introduction
02. Before The Beginning
03. It Takes Time
04. Like It This Way
05. Only You
06. Madison Blues
07. Can't Stop Loving You
08. Albatross
09. The Green Manalishi
10. World In Harmony
11. Stranger Blues

Disc 2 - January 31, 1970:
01. Sandy Mary
02. Better Off Dead
03. Only You
04. World In Harmony
05. Stranger Blues
06. I Can't Hold Out
07. Oh Well
08. Rattlesnake Shake
09. Underway
10. Coming Your Way
11. Twist And Shout

Part 1: Link

Part 2: Link

or

Part 1: Link

Part 2: Link

.

Fleetwood Mac - Two Concerts, FM Broadcast 1970-71 (Bootleg)

Size: 249 MB
Bitrate: 320
mp3
Found in OuterSpsace
No artwork

Fleetwood Mac are a British-American rock band formed in 1967 in London. Due to numerous line-up changes, the only original member present in the band is its eponymous drummer, Mick Fleetwood. Although band founder Peter Green named the group by combining the surnames of two of his former bandmates (Fleetwood, McVie) from John Mayall's Bluesbreakers, bassist John McVie played neither on their first single nor at their first concerts, as he had to straighten things out with Mayall before joining the band permanently. The keyboardist, Christine McVie, who joined the band in 1970 while married to John McVie, appeared on all but two albums, either as a member or as a session musician. She also supplied the artwork for the album Kiln House.

The two most successful periods for the band were during the late 1960s British blues boom, when they were led by guitarist Peter Green and achieved a UK number one with "Albatross"; and from 1975 to 1987, with more pop-orientation, featuring Christine McVie, Lindsey Buckingham and Stevie Nicks.

Formation and early years (1967–70):
Fleetwood Mac was formed in 1967 in London when Peter Green left the British blues band John Mayall & the Bluesbreakers. Green had replaced guitarist Eric Clapton in the Bluesbreakers, and received critical acclaim for his work on their album A Hard Road. After he had been in the Bluesbreakers for some time, Green asked if drummer Mick Fleetwood could replace Aynsley Dunbar. Green had been in two bands with Fleetwood—"Peter B's Looners" and the subsequent "Shotgun Express" (which featured a young Rod Stewart as vocalist). John Mayall agreed and Fleetwood became a member of the band.

The Bluesbreakers now consisted of Green, Fleetwood, John McVie and Mayall. Mayall gave Green free recording time as a gift, in which Fleetwood, McVie and Green recorded five songs. The fifth song was an instrumental which Green named after the rhythm section, "Fleetwood Mac".

Green contacted Fleetwood to form a new band. The pair wanted McVie on bass guitar and even named the band 'Fleetwood Mac' as a way to entice him. However McVie opted to keep his steady income with Mayall rather than take a risk with a new band. In the meantime Peter Green and Mick Fleetwood teamed up with talented slide player Jeremy Spencer and bassist Bob Brunning, who was in the band on the understanding that he would leave if and when McVie agreed to join. The Green, Fleetwood, Spencer, Brunning version of the band made its debut on 13 August 1967 at the Windsor Jazz and Blues Festival. Within weeks of this show, John McVie agreed to become the bassist for the band.

Fleetwood Mac's first album, Fleetwood Mac, was a no-frills blues album and was released on the Blue Horizon label in February 1968. In fact there were no other players on the album (except for the song "Long Grey Mare", which was recorded when Bob Brunning was in the band). The album was successful in the UK, hitting no.4, though it did not have any singles on it. The band soon released two singles "Black Magic Woman" (later a big hit for Santana) and "Need Your Love So Bad".

The band's second album, Mr. Wonderful, was released in August 1968. Like the first it was an all-blues album, but this time they made a few changes. The album was recorded live in the studio with miked amplifiers and PA system, rather than plugged into the board. This method provided the ideal environment for producing this style of music, and gave it an authentically vintage sound. They also added horns and featured a friend of the band on keyboards, Christine Perfect of Chicken Shack.

Shortly after the release of their second album Fleetwood Mac added guitarist Danny Kirwan, then just eighteen years old, to their line-up. Green had been frustrated that Jeremy Spencer had little desire to contribute to Green's songs. A mature and accomplished self-taught guitarist, Kirwan's signature vibrato and unique style added a new dimension to an already complete band. With Kirwan the band released their first number one single in Europe, "Albatross". Around this time they released their second American album, English Rose, which contained half of Mr. Wonderful, new songs from Kirwan, and their third European album called The Pious Bird of Good Omen, which was a collection of singles, B-sides, and a selection of some work the band did with Eddie Boyd.

Uk Promo Single 1968

When the band went to the United States in January 1969 they recorded many songs at the soon-to-close Chess Records Studio, with some blues legends of Chicago including Willie Dixon, Buddy Guy and Otis Spann. These would prove, however, to be Fleetwood Mac's last all-blues recordings. Along with their change of style the band was also going through some label changes. Up until this point they had been on Blue Horizon. With Kirwan in the band, however, the musical possibilities were too great for them to stay on a blues-only label. The band signed with the Immediate Records label and released "Man of the World", another British and European hit single. For the B-side Spencer fronted Fleetwood Mac as "Earl Vince and the Valiants" and recorded "Somebody's Gonna Get Their Head Kicked In Tonite", typifying the more raucous rock 'n' roll side of the band. Immediate Records was in bad shape and the band shopped around for a new deal. 

Even though The Beatles wanted the band on Apple Records (Mick Fleetwood and George Harrison were brothers-in-law), the band's manager Clifford Davis decided to go with Warner Bros. Records (through Reprise Records, a Frank Sinatra-founded label), the label they have stayed with ever since. Their first album for Reprise, released in September 1969, was the well-regarded Then Play On. Although the initial pressing of the American release of this album was the same at the British version, it was altered to contain the song "Oh Well", featured consistently in live performances from the time of its release through 1997 and then again starting in 2009. Then Play On, which was the band's first rock album, featured only the songs of Kirwan and Green. Jeremy Spencer, meanwhile, recorded a solo album (he was backed by the rest of the band) which consisted of many 1950s-style rock and roll songs.

In July 1969 Fleetwood Mac opened for Ten Years After at the Schaefer Music Festival at New York City's Wollman Rink. They re-appeared at the festival in 1970.

Fleetwood Mac were an extremely popular band in Europe at the time. However, Peter Green, the frontman of the band, was not in good health. He had taken LSD in Munich, which contributed to the onset of his schizophrenia.

German author and filmmaker Rainer Langhans mentions in his autobiography that he and Uschi Obermaier met Peter Green in Munich, where they invited him to their "High-Fish-Commune". They were not really interested in Peter Green. They just wanted to get in contact with Mick Taylor: Langhans and Obermaier wished to organise a "Bavarian Woodstock". They wanted Jimi Hendrix and The Rolling Stones to be the leading acts of their Bavarian open air festival. They needed the 'Green God' just to get in contact with The Rolling Stones via Mick Taylor.

UK Promo Single 1969

Green's last hit with Fleetwood Mac was "The Green Manalishi (With the Two-Prong Crown)" (first recorded at the Boston Tea Party in February 1970 and later recorded by Judas Priest). This recording was released as Green's mental stability deteriorated, and he wanted to give all of the band's money to charity. Other members of the band did not agree, and subsequently Green decided to leave the band. His last show with Fleetwood Mac was on 20 May 1970. During that show, the band went past their allotted time and the power was shut off, although Mick Fleetwood kept drumming. Some of the Boston Tea Party recordings (February 5/6/7 1970) were eventually released in the 1980s as the Live in Boston album, with a more complete remastered 3-volume compilation released by Snapper Music in the late 90s.

Transitional era (1970–75):
Kirwan and Spencer were left with the task of having to fill up Peter's space in their shows and on their recordings. In September 1970, Fleetwood Mac released Kiln House. Kirwan's songs moved the band in the direction of 70s rock. Meanwhile, Spencer's contributions focused on re-creating the country-tinged "Sun Sound" of the late 1950s. Christine Perfect, who had retired from the music business after one unsuccessful solo album, contributed to Kiln House, singing backup vocals, and drawing the album cover. Since Fleetwood Mac were progressing and developing a new sound, Perfect was asked to join the band. They also released a single at that time; "Dragonfly" b/w "The Purple Dancer" in the U.K. and certain European countries. Despite good notices in the press, the single was not a success and the B-side has been reissued only once, on a Reprise German-only "Best of" album, making it one of their most obscure songs.

Christine Perfect was married to bassist John McVie, and made her first appearance with the band as Christine McVie at Bristol University in May 1969 just as she was leaving Chicken Shack. She had had success with the Etta James classic, "I'd Rather Go Blind", and was twice voted female artist of the year in England. Christine McVie played her first gig as an official member on 6 August 1970 in New Orleans. CBS Records, which now owned Blue Horizon (except in the US and Canada), released an album of previously unreleased material from the original Fleetwood Mac called The Original Fleetwood Mac. The album was relatively successful, and the band seemed to be gaining popularity again.

While on tour in February 1971, Jeremy Spencer said he was going out to "get a magazine", but never returned. After several days of frantic searching, the band discovered that Spencer had joined a religious group, the Children of God. Liable for the remaining shows on the tour, they convinced Peter Green to help finish the tour. He brought along his friend, Nigel Watson, who played the congas (twenty-five years later Green and Watson would collaborate again to form the Peter Green Splinter Group). Green, however, would only be back with Fleetwood Mac temporarily, so the band decided to search for a new guitarist.

In the summer of 1971, the band held auditions for a guitarist in their large country home, "Benifold", which they bought prior to the Kiln House tour. A friend of the band named Judy Wong recommended her high school friend, Bob Welch, who was living in Paris at the time. The band had a few meetings with Welch and decided to hire him, without actually playing with him or listening to any of his recordings.

UK Single 1969

In September 1971, the band released Future Games. This album was radically different from anything the band had done up to that point. There were many new fans in America who were becoming more and more interested in the band. In Europe, CBS released Fleetwood Mac's first Greatest Hits package, which was predominantly composed of songs by Peter Green, though there was one song by Spencer and one by Kirwan.

In 1972, six months after the release of Future Games, the band released the well-received album Bare Trees. Bare Trees featured Welch's "Sentimental Lady", which would be a much bigger hit for him five years later when he re-recorded it for his solo album French Kiss, backed with Mick Fleetwood, Christine McVie, and Lindsey Buckingham. It also featured "Spare Me a Little of Your Love", a bright Christine McVie tune that would become a staple of the band's live act throughout the early-to-mid 1970s.

While the band were doing well in the studio, their tours were more problematic. Danny Kirwan developed an alcohol dependency and became alienated from Welch and the McVies. It wasn't until he smashed his Les Paul Custom guitar, refused to go on stage one night, and criticised the band afterwards that Fleetwood finally decided that he had no choice but to fire Kirwan.

The next two and a half years proved to be the most challenging for the band. In the three albums they would release in this period, they would constantly change line-ups. In September 1972, the band added guitarist Bob Weston and vocalist Dave Walker, formerly of Savoy Brown. Bob Weston was well known for playing slide guitar and had known the band from his touring period with Long John Baldry. Fleetwood Mac also hired Savoy Brown's road manager, John Courage. Mick, John, Christine, Welch, Weston, and Walker recorded Penguin, which was released in January 1973. After the tour, the band fired Walker because his vocal style and attitude did not fit in with the rest of the band.

The remaining five carried on and recorded Mystery to Me six months later. This album contained the song "Hypnotized" which got a lot of airplay on the radio and became one of the band's most recognisable songs to date. The band were justifiably proud of the new album and were poised to make it a hit. However, things were not well within the band. The McVies' marriage at this time was under a lot of stress, which was aggravated by their constant working with each other, and John McVie's considerable alcohol abuse. During the tour, Weston had an affair with Fleetwood's wife, Jenny Boyd Fleetwood, the sister of Pattie Boyd Harrison. Fleetwood soon fired Weston and the tour was cancelled. Due to lack of touring, the album sold less than its predecessor.

In what would be one of the most bizarre events in rock history, the band's manager, Clifford Davis, claimed that he owned the name Fleetwood Mac and put out a "fake Mac". Nobody in the "fake Mac" was ever officially in the real band, although some of them later acted as Danny Kirwan's studio band. Fans were told that Bob Welch and John McVie had quit the group, and that Mick Fleetwood and Christine McVie would be joining the band at a later date, after getting some rest. Fleetwood Mac's road manager, John Courage, worked one show before he realised that the line being used was a lie. Courage ended up hiding the real Fleetwood Mac's equipment, which helped shorten the tour by the fake band. But the lawsuit that followed put the real Fleetwood Mac out of commission for almost a year. The issue was who actually owned the name "Fleetwood Mac". While it would seem obvious that the band was named after Fleetwood and McVie, they had signed contracts that showed the band forfeited the rights to the name.

During this period, Welch stayed in Los Angeles and connected with entertainment attorneys. Welch quickly realised that the band was being neglected by Warner Bros., and that if they wanted to change that, they would have to change their base of operation to Los Angeles. The rest of the band agreed immediately. Rock promoter Bill Graham wrote a letter to Warner Bros. to convince them that the "real" Fleetwood Mac were in fact Fleetwood, Welch and the McVies. While this did not end the legal battle, the band was able to record as Fleetwood Mac again. Instead of getting another manager, Fleetwood Mac decided to manage themselves.

The fake Mac consisted of Elmer Gantry (vocals, guitar), Kirby Gregory (guitar), Paul Martinez (bass), John Wilkinson (keyboards) and Craig Collinge (drums). Gantry and Gregory went on to become members of Stretch, Gantry would later join The Alan Parsons Project and Martinez would eventually become a bassist for Robert Plant's solo efforts.

After Warner Bros. made a record deal with the real Fleetwood Mac, the quartet released Heroes Are Hard to Find in September 1974. For the first time in its history, the band had only one guitarist. On the road, they added a second keyboardist. The first was Bobby Hunt, who had been in the band Head West with Bob Welch back in 1970, and the second was Doug Graves, who had been an engineer on Heroes Are Hard to Find. Neither proved to be a long-term addition to the line-up, although Graves was preparing to be a full member of the band following the US tour in late 1974. [Wikipedia]

BBC In Concert, Paris Theatre, London, April 9, 1970 Excellent Radio Broadcast

Peter Green - guitar 
Danny Kirwan - guitar 
Jeremy Spencer - guitar
John McVie - bass 
Mick Fleetwood - drums

Albums between 1968-71:
* Peter Green's Fleetwood Mac (1968) 
* Mr. Wonderful (1968) 
* Then Play On (1969) 
* Kiln House (1970) 
* Future Games (1971) 

01. Rattlesnake Shake
02. Underway
03. Stranger Blues
04. World In The Harmony
05. Tiger
06. Green Manalishi
07. Coming Your way
08. Great Balls On Fire
09. Twist And Shout

Swing Auditorium, Orange Show Fairgrounds, San Bernadino, California
February 19, 1971

Mick Fleetwood - percussion
Danny Kirwan - guitar, vocals
Peter Green - guitar
John McVie - bass
Christine McVie - keyboard, vocals

01.Tuning 0:11
02.Station Man 6:41
03.Get Like You Used To Be 4:29
04.Dragonfly 3:33
05.Purple Dancer 7:38
06.I'd Rather Go blind 4:50
07.Tell Me All The Things You Do 4:57
08.Jam 16:30

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Fleetwood Mac - Ultrasonic Studios FM 1974-10-08 (Bootleg)

Size: 157 MB
Bitrate: 320
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Found in OuterSpace
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Transitional era (1970–75):
Kirwan and Spencer were left with the task of having to fill up Peter's space in their shows and on their recordings. In September 1970, Fleetwood Mac released Kiln House. Kirwan's songs moved the band in the direction of 70s rock. Meanwhile, Spencer's contributions focused on re-creating the country-tinged "Sun Sound" of the late 1950s. Christine Perfect, who had retired from the music business after one unsuccessful solo album, contributed to Kiln House, singing backup vocals, and drawing the album cover. Since Fleetwood Mac were progressing and developing a new sound, Perfect was asked to join the band. They also released a single at that time; "Dragonfly" b/w "The Purple Dancer" in the U.K. and certain European countries. Despite good notices in the press, the single was not a success and the B-side has been reissued only once, on a Reprise German-only "Best of" album, making it one of their most obscure songs.

Christine Perfect was married to bassist John McVie, and made her first appearance with the band as Christine McVie at Bristol University in May 1969 just as she was leaving Chicken Shack. She had had success with the Etta James classic, "I'd Rather Go Blind", and was twice voted female artist of the year in England. Christine McVie played her first gig as an official member on 6 August 1970 in New Orleans. CBS Records, which now owned Blue Horizon (except in the US and Canada), released an album of previously unreleased material from the original Fleetwood Mac called The Original Fleetwood Mac. The album was relatively successful, and the band seemed to be gaining popularity again.

While on tour in February 1971, Jeremy Spencer said he was going out to "get a magazine", but never returned. After several days of frantic searching, the band discovered that Spencer had joined a religious group, the Children of God. Liable for the remaining shows on the tour, they convinced Peter Green to help finish the tour. He brought along his friend, Nigel Watson, who played the congas (twenty-five years later Green and Watson would collaborate again to form the Peter Green Splinter Group). Green, however, would only be back with Fleetwood Mac temporarily, so the band decided to search for a new guitarist.

In the summer of 1971, the band held auditions for a guitarist in their large country home, "Benifold", which they bought prior to the Kiln House tour. A friend of the band named Judy Wong recommended her high school friend, Bob Welch, who was living in Paris at the time. The band had a few meetings with Welch and decided to hire him, without actually playing with him or listening to any of his recordings.

In September 1971, the band released Future Games. This album was radically different from anything the band had done up to that point. There were many new fans in America who were becoming more and more interested in the band. In Europe, CBS released Fleetwood Mac's first Greatest Hits package, which was predominantly composed of songs by Peter Green, though there was one song by Spencer and one by Kirwan.

In 1972, six months after the release of Future Games, the band released the well-received album Bare Trees. Bare Trees featured Welch's "Sentimental Lady", which would be a much bigger hit for him five years later when he re-recorded it for his solo album French Kiss, backed with Mick Fleetwood, Christine McVie, and Lindsey Buckingham. It also featured "Spare Me a Little of Your Love", a bright Christine McVie tune that would become a staple of the band's live act throughout the early-to-mid 1970s.

While the band were doing well in the studio, their tours were more problematic. Danny Kirwan developed an alcohol dependency and became alienated from Welch and the McVies. It wasn't until he smashed his Les Paul Custom guitar, refused to go on stage one night, and criticised the band afterwards that Fleetwood finally decided that he had no choice but to fire Kirwan.

The next two and a half years proved to be the most challenging for the band. In the three albums they would release in this period, they would constantly change line-ups. In September 1972, the band added guitarist Bob Weston and vocalist Dave Walker, formerly of Savoy Brown. Bob Weston was well known for playing slide guitar and had known the band from his touring period with Long John Baldry. Fleetwood Mac also hired Savoy Brown's road manager, John Courage. Mick, John, Christine, Welch, Weston, and Walker recorded Penguin, which was released in January 1973. After the tour, the band fired Walker because his vocal style and attitude did not fit in with the rest of the band.

The remaining five carried on and recorded Mystery to Me six months later. This album contained the song "Hypnotized" which got a lot of airplay on the radio and became one of the band's most recognisable songs to date. The band were justifiably proud of the new album and were poised to make it a hit. However, things were not well within the band. The McVies' marriage at this time was under a lot of stress, which was aggravated by their constant working with each other, and John McVie's considerable alcohol abuse. During the tour, Weston had an affair with Fleetwood's wife, Jenny Boyd Fleetwood, the sister of Pattie Boyd Harrison. Fleetwood soon fired Weston and the tour was cancelled. Due to lack of touring, the album sold less than its predecessor.

In what would be one of the most bizarre events in rock history, the band's manager, Clifford Davis, claimed that he owned the name Fleetwood Mac and put out a "fake Mac". Nobody in the "fake Mac" was ever officially in the real band, although some of them later acted as Danny Kirwan's studio band. Fans were told that Bob Welch and John McVie had quit the group, and that Mick Fleetwood and Christine McVie would be joining the band at a later date, after getting some rest. Fleetwood Mac's road manager, John Courage, worked one show before he realised that the line being used was a lie. Courage ended up hiding the real Fleetwood Mac's equipment, which helped shorten the tour by the fake band. But the lawsuit that followed put the real Fleetwood Mac out of commission for almost a year. The issue was who actually owned the name "Fleetwood Mac". While it would seem obvious that the band was named after Fleetwood and McVie, they had signed contracts that showed the band forfeited the rights to the name.

During this period, Welch stayed in Los Angeles and connected with entertainment attorneys. Welch quickly realised that the band was being neglected by Warner Bros., and that if they wanted to change that, they would have to change their base of operation to Los Angeles. The rest of the band agreed immediately. Rock promoter Bill Graham wrote a letter to Warner Bros. to convince them that the "real" Fleetwood Mac were in fact Fleetwood, Welch and the McVies. While this did not end the legal battle, the band was able to record as Fleetwood Mac again. Instead of getting another manager, Fleetwood Mac decided to manage themselves.

The fake Mac consisted of Elmer Gantry (vocals, guitar), Kirby Gregory (guitar), Paul Martinez (bass), John Wilkinson (keyboards) and Craig Collinge (drums). Gantry and Gregory went on to become members of Stretch, Gantry would later join The Alan Parsons Project and Martinez would eventually become a bassist for Robert Plant's solo efforts.

After Warner Bros. made a record deal with the real Fleetwood Mac, the quartet released Heroes Are Hard to Find in September 1974. For the first time in its history, the band had only one guitarist. On the road, they added a second keyboardist. The first was Bobby Hunt, who had been in the band Head West with Bob Welch back in 1970, and the second was Doug Graves, who had been an engineer on Heroes Are Hard to Find. Neither proved to be a long-term addition to the line-up, although Graves was preparing to be a full member of the band following the US tour in late 1974.

Fleetwood Mac - Ultrasonic Studios - 10/8/74

Bob Welch: guitar, vocals
Christine McVie: keyboards, vocals 
John McVie: bass 
Mick Fleetwood: drums
Bobby Hunt: keyboards

01.  Green Manalishi
02.  Spare Me a Little of Your Love
03.  Sentimental Lady >
04.  Future Games
05.  Bermuda Triangle
06.  Why
07.  Angel
08.  Homeward Bound
09.  Rattlesnake Shake
10.  Hypnotized
11.  Black Magic Woman

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Fleetwood Mac - Paramount 1972 FM Broadcast (Bootleg)

Size: 120 MB
Bitrate: 320
mp3
Found in OuterSpace
No Artwork 

Danny Kirwan was by all accounts falling-down drunk. At this point in his career he had taken to excessive consumption of alcohol and was on his way to being sacked later that year (by his one remaining friend in the band Mick Fleetwood.) 

He can be heard tripping over equipment and causing feedback during this performance, shocking his bandmates enough for them to remark about it. Within the next couple of years he would be spotted wandering the streets of London, homeless. 

During this show,  Mr. Kirwin manages to finish the vocals on "Little Child Of Mine", but the band struggle to keep up with the uneven pace he has set for them. Bob Welch takes over guitar lead from him during the song. Kirwin tries to sing "Black Magic Woman", but is unable to and Bob Welch has to finish it for him.

Even with all of that going on, the band still manage a fine performance.


Bob Welch struggled with a variety of marginal bands until 1971, when he was invited to join Fleetwood Mac, then an erstwhile English blues band that had lost two of its three front-line members, Peter Green and Jeremy Spencer, within a few months. Along with fellow newcomer Christine McVie, a keyboardist/singer-songwriter (formerly of the British blues band Chicken Shack) married to bassist (and long-time band member) John McVie, Bob helped to steer the band in a more melodic direction, particularly after lead guitarist/singer-songwriter Danny Kirwan left the band in 1972.

In the summer of 1971, the remaining members of Fleetwood Mac held auditions at their retreat in England, Kiln House, while seeking a guitarist to replace Spencer. Judy Wong, a friend of the band who served at times as their secretary (the Kirwan-written song "Jewel-Eyed Judy" was dedicated to her), recommended her high school friend Bob Welch to the band. Welch (who has been described as Wong's high school boyfriend) was living in Paris at the time.

The band had a few meetings with Welch and decided to hire him without actually playing with him or listening to any of his recordings. Welch was tasked for the role of rhythm guitar, backing up lead guitarist Danny Kirwan. It was felt that having an American in the band might extend Fleetwood Mac's appeal in the States. Welch eventually went to live in the band's communal home, a mansion called Benifold, which was located in Hampshire. (Using mobile equipment borrowed from The Rolling Stones, the band would record four albums at Benifold: Future Games, Bare Trees, Penguin and Mystery to Me.)

In September 1971, the band released the first Fleetwood Mac album featuring Bob Welch, Future Games, with the title song written by Welch. This album was radically different from anything the band had done up to that point. The choice of Welch seemed to be paying off as there were many new fans in America who were becoming more and more interested in the band. In 1972, six months after the release of Future Games, the band released the well-received album Bare Trees, which featured Welch's song Sentimental Lady. (The song would become a much bigger hit for him five years later when he re-recorded it for his solo album French Kiss. He was backed on the album by Mick Fleetwood, Christine McVie, and Lindsey Buckingham, who had replaced Welch as the band's guitarist.)

On June 7, 2012, Welch committed suicide in his Nashville home at around 12:15 p.m (a mere six months after the death of his former Fleetwood Mac bandmate Bob Weston). He was found by his wife, Wendy, with a self-inflicted gunshot wound to the chest; a 9-page suicide note and love letter had been written to his wife. According to her, Welch had had spinal surgery three months earlier. Doctors told him he would not get better. He was in serious pain and he did not want his wife to have to care for an invalid. Also, she believes that the pain medication Lyrica, which he had been on for six weeks, may have contributed to his death.


Fleetwood Mac Live At The Paramount 
Seattle Washington 1972-03-10 FM 

Personnel:
Bob Welch: Guitar and Vocals
Danny Kirwin: Vocals And Guitar
Christine McVie: Keyboards and Vocals
John McVie: Bass
Mick Fleetwood: Drums

01. Tell Me All The Things You Do
02. Future Games
03. Get Like You Used To Be
04. Little Child Of Mine
05. Spare Me A Little
06. Homeward Bound
07. Black Magic Woman
08. E: Oh Well

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Fleetwood Mac w. Paul Butterfield - Live At Carousel Ballroom 1968 (Bootleg)

Size: 207 MB
Bitrate: 256
mp3
Found in OuterSpace
No Artwork

Fleetwood Mac are a British-American rock band formed in 1967 in London. Due to numerous line-up changes, the only original member present in the band is its eponymous drummer, Mick Fleetwood. Despite band founder Peter Green naming the group by combining the surnames of two of his former bandmates (Fleetwood, McVie) from John Mayall's Bluesbreakers, bassist John McVie played neither on their first single nor at their first concerts, as McVie had to straighten things out with Mayall before joining the band. The keyboardist, Christine McVie, who joined the band in 1970 while married to John McVie, appeared on all but two albums, either as a member or as a session musician. She also supplied the artwork for the album Kiln House.

Fleetwood Mac was formed in 1967 in London when Peter Green left the British blues band John Mayall & the Bluesbreakers. Green had replaced guitarist Eric Clapton in the Bluesbreakers, and received critical acclaim for his work on their album A Hard Road. After he had been in the Bluesbreakers for some time, Green asked if drummer Mick Fleetwood could replace Aynsley Dunbar. Green had been in two bands with Fleetwood—"Peter B's Looners" and the subsequent "Shotgun Express" (which featured a young Rod Stewart as vocalist). John Mayall agreed and Fleetwood became a member of the band.

The Bluesbreakers now consisted of Green, Fleetwood, John McVie and Mayall. Mayall gave Green free recording time as a gift, in which Fleetwood, McVie and Green recorded five songs. The fifth song was an instrumental which Green named after the rhythm section, "Fleetwood Mac".

Green contacted Fleetwood to form a new band. The pair wanted McVie on bass guitar and even named the band 'Fleetwood Mac' as a way to entice him. However McVie opted to keep his steady income with Mayall rather than take a risk with a new band. In the meantime Peter Green and Mick Fleetwood teamed up with talented slide player Jeremy Spencer and bassist Bob Brunning, who was in the band on the understanding that he would leave if and when McVie agreed to join. The Green, Fleetwood, Spencer, Brunning version of the band made its debut on 13 August 1967 at the Windsor Jazz and Blues Festival. Within weeks of this show, John McVie agreed to become the bassist for the band.

Fleetwood Mac's first album, Fleetwood Mac, was a no-frills blues album and was released on the Blue Horizon label in February 1968. In fact there were no other players on the album (except for the song "Long Grey Mare", which was recorded when Bob Brunning was in the band). The album was successful in the UK, hitting no.4, though it did not have any singles on it. The band soon released two singles "Black Magic Woman" (later a big hit for Santana) and "Need Your Love So Bad".

The band's second album, Mr. Wonderful, was released in August 1968. Like the first it was an all-blues album, but this time they made a few changes. The album was recorded live in the studio with miked amplifiers and PA system, rather than plugged into the board. This method provided the ideal environment for producing this style of music, and gave it an authentically vintage sound. They also added horns and featured a friend of the band on keyboards, Christine Perfect of Chicken Shack.

Shortly after the release of their second album Fleetwood Mac added guitarist Danny Kirwan, then just eighteen years old, to their line-up. Green had been frustrated that Jeremy Spencer had little desire to contribute to Green's songs. A mature and accomplished self-taught guitarist, Kirwan's signature vibrato and unique style added a new dimension to an already complete band. With Kirwan the band released their first number one single in Europe, "Albatross". Around this time they released their second American album, English Rose, which contained half of Mr. Wonderful, new songs from Kirwan, and their third European album called The Pious Bird of Good Omen, which was a collection of singles, B-sides, and a selection of some work the band did with Eddie Boyd.

When the band went to the United States in January 1969 they recorded many songs at the soon-to-close Chess Records Studio, with some blues legends of Chicago including Willie Dixon, Buddy Guy and Otis Spann. These would prove, however, to be Fleetwood Mac's last all-blues recordings. Along with their change of style the band was also going through some label changes. Up until this point they had been on Blue Horizon. With Kirwan in the band, however, the musical possibilities were too great for them to stay on a blues-only label. The band signed with the Immediate Records label and released "Man of the World", another British and European hit single. For the B-side Spencer fronted Fleetwood Mac as "Earl Vince and the Valiants" and recorded "Somebody's Gonna Get Their Head Kicked In Tonite", typifying the more raucous rock 'n' roll side of the band. 

Immediate Records was in bad shape and the band shopped around for a new deal. Even though The Beatles wanted the band on Apple Records (Mick Fleetwood and George Harrison were brothers-in-law), the band's manager Clifford Davis decided to go with Warner Bros. Records (Reprise), the label they have stayed with ever since. Their first album for Reprise, released in September 1969, was the well-regarded Then Play On. Although the initial pressing of the American release of this album was the same at the British version, it was altered to contain the song "Oh Well", featured consistently in live performances from the time of its release through 1997 and then again starting in 2009. Then Play On, which was the band's first rock album, featured only the songs of Kirwan and Green. Jeremy Spencer, meanwhile, recorded a solo album (he was backed by the rest of the band) which consisted of many 1950s-style rock and roll songs.

In July 1969 Fleetwood Mac opened for Ten Years After at the Schaefer Music Festival at New York City's Wollman Rink. They re-appeared at the festival in 1970.

Fleetwood Mac were an extremely popular band in Europe at the time. However, Peter Green, the frontman of the band, was not in good health. He had taken LSD in Munich, which contributed to the onset of his schizophrenia.

German author and filmmaker Rainer Langhans mentions in his autobiography that he and Uschi Obermaier met Peter Green in Munich, where they invited him to their "High-Fish-Commune". They were not really interested in Peter Green. They just wanted to get in contact with Mick Taylor: Langhans and Obermaier wished to organise a "Bavarian Woodstock". They wanted Jimi Hendrix and The Rolling Stones to be the leading acts of their Bavarian open air festival. They needed the 'Green God' just to get in contact with The Rolling Stones via Mick Taylor.

Green's last hit with Fleetwood Mac was "The Green Manalishi (With the Two-Prong Crown)" (first recorded at the Boston Tea Party in February 1970 and later recorded by Judas Priest). This recording was released as Green's mental stability deteriorated, and he wanted to give all of the band's money to charity. Other members of the band did not agree, and subsequently Green decided to leave the band. His last show with Fleetwood Mac was on 20 May 1970. During that show, the band went past their allotted time and the power was shut off, although Mick Fleetwood kept drumming. Some of the Boston Tea Party recordings (February 5/6/7 1970) were eventually released in the 1980s as the Live in Boston album, with a more complete remastered 3-volume compilation released by Snapper Music in the late 90s.

<><><> The Paul Butterfield Blues Band was signed to Elektra Records after adding Bloomfield as lead guitarist. Their original debut sessions were scrapped, to appear in 1995 as The Original Lost Elektra Sessions. A second attempt was recorded live at the Cafe Au Go Go, but these too were rejected by producer Paul Rothchild. Some of the discarded tracks appeared on the What's Shakin LP shared with the Lovin' Spoonful.

At the Newport Folk Festival in July 1965, Bob Dylan was backed by members of Butterfield's band (Bloomfield, Arnold, and Lay, but not Butterfield himself) when he went electric, a move considered controversial at the time by much of the folk music establishment.[2] In October, the self-titled debut recorded a third time after the addition of organist Mark Naftalin on some tracks, The Paul Butterfield Blues Band, containing Nick Gravenites' "Born in Chicago," was released. Shortly thereafter, Lay became ill with pneumonia and pleurisy and Billy Davenport took over on drums. The Butterfield Band's second album was East-West, released in 1966, after which Bloomfield, Arnold, and Davenport left the band.

Bloomfield formed The Electric Flag with Nick Gravenites, and Bishop began playing lead guitar on The Resurrection of Pigboy Crabshaw (1967). The band now included saxophonists David Sanborn and Gene Dinwiddie, bassist Bugsy Maugh, and drummer Phillip Wilson. In 1967, The Butterfield Blues Band played the seminal Monterey International Pop Festival along with the Electric Flag, Jimi Hendrix, Ravi Shankar, The Who, Otis Redding, the counterculture bands of San Francisco, and many others.

After the release of In My Own Dream, both Bishop and Naftalin left by the end of 1968. Nineteen-year-old guitarist Buzzy Feiten, joined the band for its 1969 release, Keep On Moving, produced by Jerry Ragavoy, and Rod Hicks replaced Maugh on bass. The Butterfield band played at the Woodstock Festival, although their performance wasn't included in the resulting Woodstock film. In 1969, Butterfield also took part in a concert at Chicago's Auditorium Theater and a subsequent recording session organized by record producer Norman Dayron, featuring Muddy Waters and backed by pianist Otis Spann, Michael Bloomfield, Sam Lay, Donald "Duck" Dunn, and Buddy Miles, which was recorded and portions released on Fathers And Sons on Chess Records.<><><>

Fleetwood Mac June 7-9, 1968 The Carousel Ballroom San Francisco, Ca 

6/7-9/68 The Carousel Ballroom San Francisco, Ca SBD 2 CDR 
* With Paul Butterfield on harmonica

Disc 1 :
01. Madison Blues
02. Something Inside Of Me
03. The Woman I Love
04. Worried Dream
05. Dust My Broom
06. Got To Move
07. Trying So Hard To Forget
08. Untitled Instrumental Jam
09. Have You Ever Loved A Woman
10. Lazy Poker Blues

Disc 2 :
01. Stop Messin' Round *  // cuts in
02. I Loved Another Woman *
03. I Believe
04. The Sun Is Shining *
05. Long Tall Sally
06. Willie And The Hand Jive
07. Tutti Frutti
08. Ready Teddy  // cuts out
09. I Need Your Love So Bad // cuts in
10. I Believe II
11. Ready Teddy

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