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Quicksilver Messenger Service is an American psychedelic rock band, formed in 1965 in San Francisco and is considered one of the leading acts on the city's psychedelic scene in the mid-to-late 1960s. Essentially a jam band, Quicksilver Messenger Service gained wide popularity in the Bay Area and with psychedelic rock enthusiasts around the globe. Many of their albums ranked in the top 30 of the Billboard Pop charts. Though not ultimately as commercially successful as their contemporaries Jefferson Airplane and The Grateful Dead, the band was integral to the beginnings of their genre. With their jazz and classical influences, as well as a strong folk background, the band attempted to create a sound that was individual and innovative. Member Dino Valente drew heavily on musical influences he picked up during the folk revival of his formative musical years. The style he developed from these sources is evident in Quicksilver Messenger Service's swung rhythms and twanging guitar sounds.
After many years, the band has attempted to reform despite the deaths of several members. Recently, original members Gary Duncan and David Freiberg have been touring as the Quicksilver Messenger Service, using different musicians to back them up.
Origins
There is some confusion as to the real origins of the group. According to John Cipollina:
“It was Valente who organized the group. I can remember everything Dino said. 'We were all going to have wireless guitars. We were going to have leather jackets made with hooks that we could hook these wireless instruments right into. And we were gonna have these chicks, backup rhythm sections that were gonna dress like American Indians with real short little dresses on and they were gonna have tambourines and the clappers in the tambourines were going to be silver coins.' And I'm sitting there going, 'This guy is gonna happen and we're gonna set the world on its ear.”
“That’s the story Cipollina told everybody. But according to Dino, that wasn’t the case at all. When he’d been looking for a band, he’d talked to Cipollina, and everybody somehow put two and two together. He actually lived with us when he got out of prison, and while we played some music together and wrote songs, he had no interest in playing in Quicksilver; he wanted to start his own career. Well, when his own career didn’t do so well, he had more interest in playing in Quicksilver!.”
Whether Quicksilver Messenger Service was what Valente had in mind, it appears from Duncan's recollections that he had at least talked with Cipollina about forming a band; Cipollina remembered that:
“I was recommended to Dino, probably because I was the only guy playing an electric guitar, let alone lead, at the time ... We talked about rehearsing one night and planned to rehearse the following night but it never happened. The next day Dino got busted.”
Formation
At the same time, David Freiberg, a folk-guitarist friend of Valente's, was recruited to the group. He had previously been in a band with Paul Kantner and David Crosby but like Cipollina he had been arrested and briefly jailed for marijuana possession and had just been released. "We were to take care of this guy Freiberg", Cipollina recalled, and though they had never met before, Freiberg was integrated into the group. The band also added Skip Spence on guitar and began to rehearse at Marty Balin's club, the Matrix. Balin, in search of a drummer for the band he was organizing (which became Jefferson Airplane) convinced Spence to switch instruments and groups.
To make up for his poaching of Spence, Balin suggested that they contact drummer Greg Elmore and guitarist–singer Gary Duncan, who had played together in a group called The Brogues. This new version of the group played its first concert performance in December 1965, playing for the Christmas party of the comedy troupe “The Committee”.
Drummer Greg Elmore and guitarist Jim Murray were added to fill out the original band.
It was a band without a name, Cipollina recalled:
"Jim Murray and David Freiberg came up with the name. Me and Freiberg were born on the same day, and Gary and Greg were born on the same day, we were all Virgos and Murray was a Gemini. And Virgos and Geminis are all ruled by the planet Mercury. Another name for Mercury is Quicksilver. And then, Quicksilver is the messenger of the Gods, and Virgo is the servant, so Freiberg says 'Oh, Quicksilver Messenger Service'."
Jim Murray left the group not long after they performed at the Monterey International Pop Festival in June 1967. The band began a period of heavy touring on the West Coast of the United States and featured on many star-studded bills at the Avalon Ballroom and the Fillmore West. They refrained from signing a record deal at the time but eventually signed to Capitol Records in late 1967, becoming the last of the top-ranked San Francisco bands to sign with a major label. Capitol was the only company that had missed out on signing a San Francisco “hippie” band during the first flurry of record company interest and, consequently, Quicksilver Messenger Service was able to negotiate a better deal than many of their peers. At the same time, Capitol signed the Steve Miller Band, with whom Quicksilver Messenger Service had appeared on the movie and soundtrack album Revolution, together with the group Mother Earth.
Quicksilver Messenger Service released their eponymous debut album in 1968. It was followed by Happy Trails, released in early 1969 and largely recorded live at the Fillmore East and the Fillmore West. According to David Freiberg, at least one of the live tracks was augmented with studio overdubs and the tracks "Calvary" and "Lady of the Cancer Moon" were recorded in the studio just before Gary Duncan left the band.
These albums, which have been hailed as "two of the best examples of the San Francisco sound at its purest" define the classic period in the group's career and showcase their distinctive sound, emphasizing extended arrangements and fluid twin-guitar improvisation. Cipollina's highly melodic, individualistic lead guitar style, combined with Gary Duncan's driving rhythm guitar, feature a clear jazz sound, a notable contrast to the heavily amplified and overdriven sound of contemporaries like Cream and Jimi Hendrix. In 2003 Happy Trails was rated at #189 in the Rolling Stone Top 500 albums survey, where it was described as "the definitive live recording of the mid-Sixties San Francisco psychedelic-ballroom experience". Archetypal QMS songs include the elongated, continually re-titled suite based on Bo Diddley's "Who Do You Love?", featured on Happy Trails.
Duncan left the group not long after the recording of Happy Trails; according to David Freiberg, this was largely because of his escalating problems with opiates and amphetamines[4]. His 'farewell' performances were the studio recordings that ended up on Happy Trails and a final live performance with the band on New Year's Eve 1969.
Duncan recalled 18 years later: "Well, let's put it this way, at the end of 1968, I was pretty burned out. We'd been on the road for, really, the first time in our lives. I just left for a year. I didn't want to have anything to do with music at all. And I left for a year and rode motorcycles and lived in New York and L.A. and just kind of went crazy for about a year." Freiberg later recalled that Duncan's departure took the core of the band:
"Duncan was the "engine" man, it just didn’t WORK without him ... for me. I was really ... I was devastated ... ".
For their 1969 album Shady Grove, Gary Duncan did not participate, but the group added renowned English session keyboardist Nicky Hopkins, who had played on scores of hit albums and singles by acts like The Kinks, The Rolling Stones, The Who and Steve Miller, among many others. Hopkins' virtuoso piano boogie dominates the album, giving it a unique sound within the Quicksilver catalog.
The next two albums, Just for Love and What About Me?, are sometimes called the "Hawaiian" albums because they were recorded mostly in a studio in that state, and both have a similar Hawaiian motif to their cover designs. They also sound similar to each other and very different from what came before. Guitarist Gary Duncan is back. But an even bigger change is that Dino Valenti becomes the lead singer and (under a pseudonym) main songwriter. What had been a jamming guitar band became little more than the backup musicians for a folk / pop oriented singer-songwriter; naturally this alienated some fans, but the records sold relatively well and produced the group's one legitimate hit radio single, "Fresh Air".
Before the next recordings, John Cipollina, David Freiberg, and Nicky Hopkins all went their separate ways.
Remnants and reunions
After leaving Quicksilver in October 1970, Cipollina, Reyes and original member Jim Murray formed Copperhead (which resembled Quicksilver updated for the 1970s) followed by Raven, which resembled Copperhead. In 1974 Cippolina guested with Quicksilver-idolizing Welsh progressive rock group Man, playing with them at their 1974 Winterland concerts and guesting with them on a subsequent UK tour, which resulted in the 1975 live album Maximum Darkness[8]. Cipollina died in 1989, at the age of 45, from emphysema, probably attributable to his heavy cigarette habit. His performances had typically featured a trademark lit cigarette perched on a guitar string stub.
Duncan, Elmore, Valenti and Freiberg continued until September 1971 when Freiberg was jailed for marijuana possession. He was replaced by Mark Ryan (bass) and the group added Chuck Steaks (organ), and this lineup rcorded two more albums, Quicksilver (Nov. 1971) and Comin' Thru (Apr. 1972).
Hopkins continued his career as a studio musician, including playing with Jefferson Airplane at Woodstock. He died in September 1994. Dino Valente died in November 1994.
After his release from prison Freiberg moved into session work, eventually joining Jefferson Airplane and staying with them through their evolution into Jefferson Starship.
In the 1980s Gary Duncan resurrected the name and released the albums Peace By Piece in 1986, Shapeshifter Vols. 1 & 2 in 1996, Shapeshifter Vols. 3 & 4, and Strange Trim in 2006, along with several live albums and a website, quicksilvermessengerservice.com. He toured on and off for the next decade or so under names "Gary Duncan's Quicksilver" and "Quicksilver '96".
In 2006, Gary Duncan and David Freiberg launched a 40th-anniversary Quicksilver celebration tour as Quicksilver Messenger Service. They still perform as of 2010, often opening up for Jefferson Starship.
In 2002, there was a Quicksilver tribute band formed called Quicksilver Gold. They performed the music of the Quicksilver Messenger Service and members included Dino Valenti's son, Joli Valenti, as well as John Cippolina's brother, Mario Cippolina, and some members of Zero. This band broke up in 2004.
The band appeared at the Rhythm Festival in August 2008 alongside their musical contemporaries Jefferson Starship.
In 1968, Graham moved his concerts to a different venue in San Francisco, formerly known as The Carousel Ballroom and El Patio at Market Street and South Van Ness Avenue, that he renamed Fillmore West.
The original Fillmore Auditorium continued under the name The Elite Club. Graham began presenting concerts at the original Fillmore Auditorium again in the 1980s, but it was closed due to earthquake damage in October 1989. After much structural work, in 1994 the original Geary Boulevard location reopened as The Fillmore.
As of 2008, The Fillmore is leased and operated by Live Nation.
In the mid-1960s, The Fillmore Auditorium became the focal point for psychedelic music and counterculture in general, with such acts as John Mahon, The Grateful Dead,The Steve Miller Band, Jefferson Airplane, Quicksilver Messenger Service, The Doors, Jimi Hendrix Experience, The Byrds, Big Brother and the Holding Company, Carlos Santana, The Allman Brothers Band, Creedence Clearwater Revival, Miles Davis, and British acts The Who, Pink Floyd, Elton John, and Cream all performing at the venue. Besides rock, Graham also featured non-rock acts such as Lenny Bruce, Miles Davis, Rahsaan Roland Kirk, Charles Lloyd, Aretha Franklin, and Otis Redding as well as poetry readings.
The venue had a legendary ambience as well as the stellar performances, often with swirling light-show projections, strobe lights and uninhibited dancing. The cultural impact of the Fillmore was very large. It is referenced by Hunter S. Thompson in Fear and Loathing in Las Vegas in a description of the counterculture of the 1960s in the San Francisco Bay area.
The Fillmore was mentioned in the film Dirty Harry.
The Fillmore reopened under Graham's management in the mid-1980s, but it was damaged and closed by the Loma Prieta earthquake of October 1989. After Graham died in a helicopter crash in 1991, those close to him decided to carry out his final wish to retrofit and reopen the original Fillmore. The Fillmore reopened on April 27, 1994, with the band The Smashing Pumpkins playing an unannounced surprise show, and Primus playing the first official reopening show the following night. The Fillmore has once again become a San Francisco hot spot with frequent shows. For a standard show, the capacity of the Fillmore is 1,199 guests.
Live Nation has recently begun a campaign to expand the Fillmore "brand" by changing the names of a number of established clubs it owns around the U.S. This includes clubs in Denver, Detroit, the Fillmore at the TLA in Philadelphia, the Fillmore at Irving Plaza in New York City, and the Fillmore at the Jackie Gleason Theatre in Miami Beach, Florida. The Fillmore Charlotte opened in June 2009. A Fillmore in the Washington, D.C., suburb of Silver Spring, Maryland, broke ground in 2010 and opened in late 2011.
Graham closed the Fillmore West on July 4, 1971, with a bill featuring bands Santana, Creedence Clearwater Revival, Grateful Dead and Quicksilver Messenger Service, and a poetry reading from Allen Ginsberg. A documentary film of the last several concerts, called Fillmore, and a three-disc album, called Fillmore: The Last Days, were released in 1972.
The Fillmore is also well known for its psychedelic concert posters by artists who in the 1960s included Wes Wilson and Rick Griffin. Copies of the night's poster are given to fans free of charge as they exit selected, sold-out shows. A chronological collection of these posters is on display in the mezzanine level of the auditorium today.
Other traditions are carried on to this day. One is a large tub of free apples for concert goers positioned near the entrance. Another is a "greeter" who welcomes each guest as they enter with: "Welcome to the Fillmore!" <><><><>
QUICKILVER MESSENGER SERVICE
FILLMORE AUDITORIUM,
SAN FRANCISCO,CA.,USA
(((Excellent SoundQuality)))
CD1
NOVEMBER 5,1966
SET 1
01.DINO'S SONG
02.HAIR LIKE SUNSHINE
03.I HEAR YOU KNOCKIN'
04.BABE I'M GONNA LEAVE YOU
05.SMOKESTACK LIGHTNING
06.IF YOU LIVE
07ALL NIGHT WORKER
SET 2
08GOT MY MOJO WORKIN'
09.YOU DON'T LOVE ME
10.SUZY Q
11.HOOCHIE COOCHIE MAN
12.BABE I'M GONNA LEAVE YOU
13.GOLD AND SILVER
14.STAND BY ME
15.PRIDE OF MAN
CD2
FEBRUARY 4,1967
01.YOU DON'T LOVE ME ( CUTS IN AFTER 10 SECONDS FOLLOWING AN UNKNOWN SONG )
02.I HEAR YOU KNOCKIN'
03.GOLD AND SILVER
04.ALL NIGHT WORKER
05.CODEINE
06.GOT MY MOJO WORKIN'
07.MONA
08.A FOOL FOR YOU *
09.I CAN'T BELIEVE IT *
10.LOOK AROUND YOU *
* W/ DINO VALENTI
CD3
01.DINO'S SONG
02.WALKIN' BLUES
03.BABE I'M GONNA LEAVE YOU
04.HOOCHIE COOCHIE MAN
05.STAND BY ME
06.DRIVIN' WHEEL ( EARLY VERSION OF IT'S BEEN TOO LONG )
07.DUNCAN AND BRADY
08.PRIDE OF MAN
09.WHO DO YOU LOVE
CD4
FEBRUARY 5,1967
01.SUZY Q ( CUTS IN )
02.I HEAR YOU KNOCKIN'
03.DANDELION
04.GOLD AND SILVER
05.YOU DON'T LOVE ME
06.CODEINE
07.INSTRUMENTAL
08.SMOKESTACK LIGHTNING
CD5
01.DINO'S SONG ( CUTS IN )
02.WALKIN' BLUES
03.DRIVIN' WHEEL ( EARLY VERSION OF IT'S BEEN TOO LONG )
04.BABE I'M GONNA LEAVE YOU
05.HEY MAMA
06.HOOCHIE COOCHIE MAN
07.ALL NIGHT WORKER
08.STAND BY ME
09.PRIDE OF MAN
CD6
6,19FEBRUARY67
01.YOU DON'T LOVE ME
02.ALL NIGHT WORKER
03.GOLD AND SILVER
04.HEY MAMA
05.WALKIN' BLUES #
06.YEAR OF THE OUTRAGE #
07.I HEAR YOU KNOCKIN'
08.A FOOL FOR YOU *
09.I CAN'T BELIEVE IT *
* W/ DINO VALENTI
# W/ NICK GRAVENITES
Part 1: Link
Part 2: Link
Part 3: Link
Part 4: Link
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Part 1: Link
Part 2: Link
Part 3: Link
Part 4: Link
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