Rod Stewart & The Faces - Live At the BBC 1971 (Bootleg)

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Bitrate: 320
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When Steve Marriott left The Small Faces in 1969, the three remaining members brought in guitarist Ron Wood and lead singer Rod Stewart to complete the lineup and changed their name to the Faces, which was only appropriate since the group now only slightly resembled the mod-pop group of the past. Instead, the Faces were a rough, sloppy rock & roll band, able to pound out a rocker like "Had Me a Real Good Time," a blues ballad like "Tell Everyone," or a folk number like "Richmond" all in one album. Stewart, already becoming a star in his own right, let himself go wild with the Faces, tearing through covers and originals with abandon. While his voice didn't have the power of Stewart, bassist Ronnie Lane's songs were equally as impressive and eclectic. Wood's rhythm guitar had a warm, fat tone that was as influential and driving as Keith Richards' style.

Notorious for their hard-partying, boozy tours and ragged concerts, the Faces lived the rock & roll lifestyle to the extreme. When Stewart's solo career became more successful than the Faces, the band slowly became subservient to his personality; after their final studio album, Ooh La La, in 1973, Lane left the band. After a tour in 1974, the band called it quits. Wood joined the Rolling Stones, drummer Kenny Jones eventually became part of the Who, and keyboardist Ian McLagan became a sought-after supporting musician; Stewart became a superstar, although he never matched the simple charm of the Faces.

While they were together, The Faces never sold that many records and were never considered as important as the Stones, yet their music has proven extremely influential over the years. Many punk rockers in the late '70s learned how to play their instruments by listening to Faces records; in the '80s and '90s, guitar rock bands from the Replacements to the Black Crowes took their cue from the Faces as much as the Stones. Their reckless, loose, and joyous spirit stayed alive in much of the best rock & roll of the subsequent decades. 

Rod Stewart's 1971 solo album Every Picture Tells a Story made him a household name when the B-side of his minor hit "Reason to Believe", "Maggie May", (co-written with Martin Quittenton) started receiving radio play. The album and the single hit number one in both the US and the UK simultaneously, a chart first, in September. A loss of innocence tale set off by a striking mandolin part (by Ray Jackson of Lindisfarne), "Maggie May" was also named in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, which is one of three songs by him to appear on that list. The rest of the album was equally strong, with "Mandolin Wind" again showcasing that instrument; "(I Know) I'm Losing You" adding hard-edged soul to the mix; and "Tomorrow Is a Long Time", a cover of a Bob Dylan song. But the ultimate manifestation of the early Stewart solo style was the Stewart-Wood-penned "Every Picture Tells a Story" itself: powered by Mick Waller's drumming, Pete Sears's piano, and Wood's guitar work in a largely acoustic arrangement; it is a fast, rocking, headlong romp relating the picaresque adventures of the singer.

The second Faces album, Long Player, was released in early 1971 and enjoyed greater chart success than First Step. Faces also got their only US Top 40 hit with "Stay With Me" from their third album A Nod Is as Good as a Wink...To a Blind Horse released in late 1971. This album reached the Top 10 on both sides of the Atlantic on the back of the success of Every Picture Tells A Story. Steve Jones from The Sex Pistols regarded Faces very highly and named them as a main influence on the British punk rock movement.

Faces toured extensively in 1972 with growing tension in the band over Stewart's solo career enjoying more success than the band's. Stewart released Never a Dull Moment in the same year. Repeating the Every Picture formula for the most part, it reached number two on the US album charts and number one in the UK, and enjoyed further good notices from reviewers. "You Wear It Well" was a hit single that reached number 13 in the US and went to number one in the UK, while "Twisting the Night Away" made explicit Stewart's debt to Sam Cooke. For the body of his early solo work Stewart earned tremendous critical praise. Rolling Stone's 1980 Illustrated History of Rock & Roll includes this in its Stewart entry:

Rarely has a singer had as full and unique a talent as Rod Stewart; rarely has anyone betrayed his talent so completely. Once the most compassionate presence in music, he has become a bilious self-parody — and sells more records than ever [...] a writer who offered profound lyricism and fabulous self-deprecating humour, teller of tall tales and honest heartbreaker, he had an unmatched eye for the tiny details around which lives turn, shatter, and reform [...] and a voice to make those details indelible. [... His solo albums] were defined by two special qualities: warmth, which was redemptive, and modesty, which was liberating. If ever any rocker chose the role of everyman and lived up to it, it was Rod Stewart.

Faces released their final album Ooh La La, which reached number one in the UK and number 21 in the US in 1973. The band toured Australasia, Japan, Europe and the UK in 1974 to support the album and the single "Pool Hall Richard".

The first collaboration among the future Faces was in a formation called Quiet Melon, which also featured Ronnie's older brother Art Wood and Kim Gardner; they recorded four songs and played a few shows in May 1969, during a break in Ronnie Wood's and Rod Stewart's commitments with the Jeff Beck Group. Later that summer Wood and Stewart parted ways with Beck and joined Lane, McLagan and Jones full time.

With the addition of Stewart and Wood, the "small" part of the original band name was dropped, partly because the two newcomers (at 5'8" and 5'9" respectively) were significantly taller than the three former Small Faces. Hoping to capitalize on the Small Faces' earlier success, record company executives wanted the band to keep their old name; however, the band objected, arguing the personnel changes resulted in a group very different from Small Faces. As a compromise, in the US their debut album was credited to Small Faces, while subsequent albums appeared under their new name.
Ronnie Wood (left) and Rod Stewart (right), in concert, 1975 The group regularly toured Britain, Europe and the United States from 1970 to 1975, and were among the top-grossing live acts in that period in 1974 their touring also encompassed Australia, New Zealand and Japan. Among their most successful songs were "Had Me a Real Good Time", their breakthrough UK hit "Stay with Me", "Cindy Incidentally" and "Pool Hall Richard". As Rod Stewart's solo career became more successful than that of the group, the band became overshadowed by their lead singer.[ A disillusioned Ronnie Lane left the band in 1973; one reason given later for his departure was frustration over not having more opportunities to sing lead vocals.

Lane's role as bassist was taken over by Tetsu Yamauchi (who had replaced Andy Fraser in Free). Released just months before Lane left the band, Faces' final studio album was Ooh La La.

The following year a live album was released, entitled Coast to Coast: Overture and Beginners; it was criticised by reviewers for being poorly recorded and thought out. It featured selections from their late 1973 tour, the first featuring Yamauchi. They recorded a few tracks for another studio album, but had lost enthusiasm and their final release as a group was the late 1974 UK Top 20 hit "You Can Make Me Dance, Sing or Anything". In 1975 Wood began working with the Rolling Stones, which brought differences between Stewart and the others to a head, and in December the band announced that they were splitting.

ROD STEWART 
& THE FACES Live At The BBC
26th October 1971

(((Excellent SoundQuality)))

01. Three Button Hand Me Down
02. Maybe I'm Amazed
03. I'm Gonna Be Loved
04. Miss Judy's Farm
05. Love In Vain
06. Stay With Me
07. I Know I'm Losing You

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